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Gary Clark Jr.- THE STORY OF SONNY BOY SLIM- CD- 2015- Warner Bros. Records Inc.- 093624926375- 400 grn
THE STORY OF SONNY BOY SLIM is the second studio album by American blues rock musician Gary Clark Jr., released on September 11, 2015, through Warner Bros. Records. The album features 13 originals tracks and showcases many of Clark's signature moves.[clarification needed] Clark blends his usual styles of blues, rock and soul music, with occasional touches of hip hop and R&B, to create his signature sound. The album's title was created by blending his two childhood nicknames. Sonny Boy was the nickname his mother gave him, Slim was given to him on the Austin Texas blues scene and referred to his tall and thin physical build.
PERSONNEL: Gary Clark, Jr. – all vocals, guitars, bass, drums, and keyboards, harmonica, snaps, claps; Christopher Copeland, Nicole Trunfio, Zion Rain Clark – intro; Jacob Sciba, Johnny Bradley – bass; Jason Frey – baritone sax, tenor sax; Bharath "Cheex" Ramanath – synth, snaps, claps; Derek Phelps – trumpet; Jason Frey – tenor sax; Joe Woullard – baritone sax and flute; Lewis Stephens – organ and piano; J.J. Johnson, Jay Moeller, Johnny Radelat – drums; King Zapata – guitar; Tameca Jones, Shawn Clark, Savannah Clark – backing vocals. Tameca Jones – backing vocals.
On his major-label debut, 2012's Blak and Blu, Clark demonstrated he isn't interested in following the path of blues traditionalists, and while there's plenty of great guitar work on 2015's THE STORY OF SONNY BOY SLIM, this is by no means a conventional blues album. Rather, THE STORY OF SONNY BOY SLIM is a thoughtful and passionate amalgam of African-American music past and present, and the blues is one of many crucial ingredients in the formula along with R&B, soul, rock & roll, funk, gospel, and hip-hop. Clark's guitar work is outstanding throughout, but his style is more about expressive layers of sound than tasty licks, and this isn't a guitar album so much as an album that features a lot of guitar amidst a rich variety of ingredients, which may not please folks waiting for a new Stevie Ray Vaughan. And Clark has more on his mind than the accepted templates of electric blues. Blues may be at the root of nearly everything on THE STORY OF SONNY BOY SLIM, but it's not the sum total of Clark's musical world-view, and if he's abdicated the position of the future of the blues, this music declares that Clark is one artist who will see to it that the blues does indeed have a future, which is what makes him important and THE STORY OF SONNY BOY SLIM a serious leap forward from Blak And Blu. There's no question that Austin singer/guitarist Gary Clark Jr. can shred with the best of them. But on his second major-label full-length, it's his restraint that's his trump card. He gently dabs the minimalist blues-rocker "The Healing" with little more than a B.B. King-style riff and a poker-hot vocal, keeping the song gorgeously unfussy. Just as expressive is the stomping "Grinder," which features a literally screaming guitar lick that mimics the line it follows: "My baby's crying/So now my baby's crying.”
Issued In A Gatefold Cardboard Sleeve With Hype Sticker On Front Cover Includes Six Page Foldout Inlay.
Manufactured In The EU.
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