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Bob Dylan- BOB DYLAN 1965-1966 - THE BEST OF THE CUTTING EDGE: The Bootleg Series Vol.12- 2CD- 2015-
- Columbia Records/Sony Music Entertainment- 888751244221- 700 grn
BOB DYLAN BOOTLEG Series.
BOB DYLAN 1965-1966 - THE BEST OF THE CUTTING EDGE: The Bootleg Series Vol.12 is a compilation album by American singer-songwriter Bob Dylan, released on Legacy Records on 6th November 2015. The tenth installment in the ongoing Bob Dylan Bootleg Series, it comprises recordings from 1965 and 1966, mostly unreleased demos and outtakes from recording sessions for his albums Bringing It All Back Home, Highway 61 Revisited and Blonde On Blonde. A two-disc 36-track The Best Of The Cutting Edge 1965-1966 edition in the packaging and format standard to the rest of the series after the first installment. BOB DYLAN 1965-1966 - THE BEST OF THE CUTTING EDGE: The Bootleg Series Vol.12 is shows Dylan didn't enter the studio with posterity in mind when he went to cut Bringing It All Back Home, Highway 61 Revisited, and Blonde On Blonde: he was making music of and for the moment. Familiarity hasn't necessarily dulled the impact of these three records, all written and recorded within a span of 14 months - a period of time when Dylan also filmed Don't Look Back, electrified the Newport Folk Festival, and was declared a Judas at the Royal Albert Hall - but they have made them seem inevitable, works carved out of granite whose fates were preordained.
PERSONNEL: Bob Dylan — vocals, guitar, piano, harmonica; Mike Bloomfield, Al Gorgoni, John Hammond, Jr., Jerry Kennedy, Bruce Langhorne, Charlie McCoy, Wayne Moss, Kenny Rankin, Robbie Robertson — guitars; Joe South — guitar, bass guitar; Paul Griffin — piano, electric piano, organ; Al Kooper — organ, electric piano, celeste; Frank Owens — piano, electric piano; Richard Manuel, Hargus "Pig" Robbins — piano; Garth Hudson — organ; John Sebastian — bass guitar, harmonica; John Boone, Harvey Brooks, Rick Danko, Joseph Macho, Jr., Russ Savakus, Henry Strzelecki — bass guitar; Kenny Buttrey, Bobby Gregg, Levon Helm, Sandy Konikoff, Sam Lay — drums; Joan Baez — vocals, guitar; Angeline Butler — backing vocals.
The gift of THE CUTTING EDGE is that it makes this, the greatest run of creativity in Dylan's career and perhaps in rock and roll in general, once again seems wild, nervy, and quicksilver, upending expectations and undercutting conventions. Within of liner notes, Bill Flanagan calls these two discs of outtakes, alternates, and rehearsals "work tapes," which is technically true, but undersells how this music crackles as it shape-shifts, sometimes soaring, sometimes stumbling, but always feeling fiercely alive. If it's difficult to claim that a solo "Bob Dylan's 115th Dream" and a locomotive "Visions Of Johanna" recorded with the Band are superior to the versions on Bringing It All Back Home and Blonde On Blonde, they're nevertheless magnificent in their own right while also shedding light on how Dylan worked. Along the way, Dylan was truly fearless - he'd goose a tempo to see if it gave a ballad life, he'd let Mike Bloomfield and Robbie Robertson run wild. The fact that he abandoned a song as wonderful as "She's Your Lover Now", possibly because it never quite withstood such stress tests, speaks volumes - and among the many gifts THE CUTTING EDGE has to offer is that it illuminates these three great records while also illustrating that they were just mere snapshots in time. By breaking down the barriers that separated these three albums, THE CUTTING EDGE shows how for Dylan during this blinding, brilliant peak his music was a living thing, evolving from song to song, take to take, where the quest itself was as transcendent as the final destination.
Comes In A Standard Jewel Case With Double Clear Tray And Includes Foldout Inlay Plus 60 Page Book And Housed In A One-Side-Closed Cardboard Slipcase.
Made In The EU.
ПРИ ПОКУПКЕ (сразу) ТРЁХ ФИРМЕННЫХ АЛЬБОМОВ, ДОСТАВКА БЕСПЛАТНО !!!