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Bob Dylan- “LOVE AND THEFT"- CD- 2001/2003- Sony Music Entertainment Inc.- 5099751235729- 400 grn
“LOVE AND THEFT" is the thirty-first studio album by American singer-songwriter Bob Dylan, released on 11th September 2001, by Columbia Records. It featured backing by his touring band of the time, with keyboardist Augie Meyers added for the sessions. Album has been certified Gold. “LOVE AND THEFT", is his true return to form, not just his best album since Blood On The Tracks, but the loosest, funniest, warmest record he's made since The Basement Tapes. Uncluttered resonant production gives Dylan's band place for free to breathe. And they run wild with that liberty, rocking the house with the grinding "Lonesome Day Blues" and burning it down with the fabulously swinging "Summer Days". They're equally captivating on the slower, or the torch, or the epic reflective songs. Musically, Dylan hasn't been this natural or vital since he was with the Band, and even then, those records were never as relaxed and easy or even as hard-rocking as these. That alone would make “LOVE AND THEFT" a remarkable achievement, but they're supported by a tremendous set of songs that fully synthesize all the strands in his music. It's all natural. There's an ease to his writing and a swagger to his performance unheard in years - he's cracking jokes and murmuring wry asides, telling stories, crooning, and swinging. It's reminiscent of his classic records, but he's never made a record that's been such sheer, giddy fun as this, and it stands proudly among his very best albums.
PERSONNEL: Bob Dylan – vocals, guitar, piano; Larry Campbell – guitar, banjo, mandolin, violin; Charlie Sexton – guitar; Augie Meyers – accordion, Hammond B3 organ, Vox organ; Tony Garnier – bass guitar, upright bass; David Kemper – drums; Clay Meyers – bongos.
Bob Dylan had done it all: gone electric, returned to folk, joined supergroups, snubbed famous fans, toured with The Grateful Dead, been denied entry into The Grateful Dead, entered an artistic fallow period, and returned to critical acclaim. By the turn of the 21st century, Dylan’s Bootleg Series was in full bloom and his ''Never Ending Tour'' had yet to end. He kicked off the new millennium by snagging a Best Original Song Oscar. With all of those boxes checked, him there wasn’t much else to do but make another studio album. By pairing up his signature verbose and heavily referential lyric writing with a Southern gothic atmosphere that recalled centuries-old roots music, the material on “LOVE AND THEFT" is a natural extension of the singer’s revamped identity. But don’t let the goofiness fool yourself: images of dead man’s bones and brains being fried in garlic and olive oil add a particularly fatalistic wrinkle to Dylan’s croak. “LOVE AND THEFT" is home to another one of Dylan’s new traits: his growling vocal delivery. After 40 years of whining, chanting, bellowing, and beckoning, Dylan’s voice hadn’t smoothed out so much, as it had been ground up. Dylan excelling at finding the right notes and tones to add timelessness with his weathered voice. If there’s one thing that “LOVE AND THEFT" continues from Dylan’s previous incarnations, it’s his unwillingness to lift the curtain and expose the man pulling the ropes. Whatever musical style he’s choosing, Dylan makes sure to stay as far away from modernity as humanly possible. While the rest of the world was preparing to enter the future that Y2K promised, Bob Dylan was going in exactly the opposite direction. Dylan breathes new life into old-timey themes and continues to reinvent his own artistic voice. “LOVE AND THEFT" might live up to both of its titular promises, but the final product is unmistakably Dylan.
Comes In A Standard Jewel Case With Clear Tray And Includes 12-Page Booklet.
Made In Austria.
ПРИ ПОКУПКЕ (сразу) ТРЁХ ФИРМЕННЫХ АЛЬБОМОВ, ДОСТАВКА БЕСПЛАТНО !!!