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Jeff Beck- YOU HAD IT COMING- CD- 2000/2001- Sony Music Entertainment Inc.- 5099750101827- 400 grn
YOU HAD IT COMING is the eighth studio album by guitarist Jeff Beck, released in December 2000 through Epic Records. At an age when fellow ex-Yardbirds guitar gods Eric Clapton and Jimmy Page are polishing their legend and trying to recapture it, respectively, Jeff Beck has produced one of his most challenging and rewarding albums. An edgy, metallic maelstrom with a distinctly postmodern slant, YOU HAD IT COMING is the kind of album his fraternal fretmeisters might scarcely understand, let alone attempt. Already the guitar's unparalleled master of feedback, distortion, harmonic sorcery, and microtonal manipulation, Beck here pushes the envelope yet again. From the manic thrash-metal of "Earthquake" to the hot-rod sampled "Roy's Toy" and especially "Loose Cannon," Beck's soloing is all haunting howls and jagged corners, a nervy dance along the razor's edge of dissonance and melody. The emotionally charged changes of pace are as surprising as they are compelling: Beck exploring Eastern modalities while showcasing his arsenal of technique in a stunning take on Indian pop musician Nitin Sawhney's "Nadia"; the techno revamp of the blues staple "Rollin' And Tumblin'," fronted by the urgent vocals of Imogene Heap; Jeff literally jamming with a chirping feathered friend on "Blackbird" (while plying the frets with a table fork!); the fingerpicking funk of "Rosebud"; and the graceful, lyrical resolve of "Suspension." This is one of Beck's best and a worthy companion to Blow By Blow, Wired, and Guitar Shop.
PERSONNEL: Jeff Beck – guitar; Jennifer Batten – guitar; Imogen Heap – vocals; Aidan Love – programming; Steve Alexander – drums; Randy Hope-Taylor – bass.
Jeff Beck returns two years after the ten-years-in-the-making Who Else?, and YOU HAD IT COMING isn't surprising just for its rapidity, but for its music. From the moment the electronicized, post-rave beats of "Earthquake" kick off the record, it's clear that Beck isn't content to stay in place - he's trying to adapt to the modern world. To a certain extent, this isn't an entirely new phenomenon, since each of his records is clearly, inextricably of its time, from the crunching metal of Truth through the breezy jazz fusion of Blow By Blow to the modernized album rock of Guitar Shop. This is just another side of that, as Beck works with electronic music, both noisy and new age introspective. It's a bit clever, actually, since Beck's playing has always been otherworldly, dipping, bending, and sounding like anything other than a normal guitar. The problem is, when he's surrounded by lockstep, processed beats and gurgling synths, his guitar doesn't leap to the forefront and capture attention the way it does on his best recordings. Still, there's something to be said for the effort, because even if it doesn't sound like a Beck record, it isn't a bad record, and it's certainly a helluva lot more successful than Clapton's similar forays into these waters. Besides, knowing that he knocked this out so quickly makes it a little endearing.
Comes In A Standard Jewel Case With Black Tray Includes 8-Page Foldout Inlay.
Made In Austria.
ПРИ ПОКУПКЕ (сразу) ТРЁХ ФИРМЕННЫХ АЛЬБОМОВ, ДОСТАВКА БЕСПЛАТНО !!!