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J.J. Cale- LIVE- CD- 2001- Delabel Records- 724385064227- 400 grn
Leave it to J.J. Cale to press 30 years into his recording career before getting around to releasing his first onstage recording. Cale, after all, has his own pace for doing things and it ain't exactly breakneck. Unsurprisingly, the taciturn Oklahoman's approach to the stage and studio are pretty much the same: in any setting, Cale is one laid-back hombre. Here he ambles through 14 tracks without breaking a sweat, whipping off bluesy solos with offhanded aplomb and delivering his simple but spot-on lyrics with that unmistakable mumble. His infrequent hits resurface here ("After Midnight," "Cocaine," "Call Me The Breeze"), sounding fresher than they have any right to be. And, in truth, there really isn't much of a gap in quality between Cale's best and worst efforts; it's all good. In a world where entire careers are made around making the simple seem to be difficult, Cale has an all-too-rare gift for making the simple seem simple. Bless him for that. Cale's live performance style does nothing to quell his reputation for laid-back but pristine guitar playing and reserved "Mississippi John Hurt"-style delivery. A man who truly appreciates the value of restraint, Cale leaves plenty of room for his immaculate guitar lines, even to the point of irony on an ambling version of the previously insistent "Mama Don't." This collection, which was gleaned from an assortment of live shows dating from 1990-1996, finds Cale allowing his songs to unfold organically. Of particular note is the lilting "Magnolia." Less nostalgic than when it first appeared on 1971's Naturally, this version, recorded at Carnegie Hall in 1996, is crisper and more clipped, replacing the original's sense of longing with the resigned confidence that permeates this entire set. Cale’s live performance style does nothing to quell his reputation for laid-back but pristine guitar playing and reserved Mississippi John Hurt-style delivery. A man who truly appreciates the value of restraint, Cale leaves plenty of room for his immaculate guitar lines, even to the point of irony on an ambling version of the previously insistent ‘Mama Don’t.’ This collection, which was gleaned from an assortment of live shows dating from 1990-1996, finds Cale allowing his songs to unfold organically.
Recorded Live From Various Concerts Between 1990 And 1996 - All Tracks Were Recorded Across Several Different Shows: Carnegie Hall (New York, 1996), The Philharmonic (Munich, 1994), Flynn Theater (Burlington, 1993), The Great American Music Hall (San Francisco, 1994), The Hammersmith Apollo (London, 1994), The Sommerville Theater (Sommerville, 1993), and Park West (Chicago, 1990).
Comes In A Standard Jewel Case With Clear Tray Includes 8-Page Foldout Inlay.
Made In The E.U.
ПРИ ПОКУПКЕ (сразу) ТРЁХ ФИРМЕННЫХ АЛЬБОМОВ, ДОСТАВКА БЕСПЛАТНО !!!