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The Black Crowes- BEFORE THE FROST… UNTIL THE FREEZE- CD- 2009-
- Silver Arrow Records, Inc./Angelus Entertainment- 020286136323- 500 grn
BEFORE THE FROST … UNTIL THE FREEZE is the eighth studio album by American rock band The Black Crowes. It was recorded before a live audience at Levon Helm's Woodstock, New York, studio, The Barn, in late February and early March, 2009. The CD itself is designed to have the appearance of a vinyl record. Originally, only the BEFORE THE FROST… portion of the double album was available on CD, and the CD purchase came with a code allowing download of the ....UNTIL THE FREEZE portion from The Black Crowes website. BEFORE THE FROST… is the band's last album of original material to feature longtime drummer Steve Gorman and keyboardist Adam MacDougall. Since they first came crashing and tumbling through rock and roll’s front door in 1990, The Black Crowes have been true to themselves and their music. Led by brothers Chris and Rich Robinson, The Crowes haven’t always taken the easy route, opting instead to make rock and roll that wasn’t ashamed to show its influences while retaining its own voice.
PERSONNEL: Chris Robinson – vocals, harmonica, guitars; Rich Robinson – guitars, sitar, vocals; Steve Gorman – drums, percussion; Sven Pipien – bass, vocals; Luther Dickinson – guitars, mandolin; Adam MacDougall – keyboards, vocals; Larry Campbell – banjo, fiddle, pedal steel guitar; Joe Magistro – percussion.
With the release of BEFORE THE FROST … UNTIL THE FREEZE, The Crowes have turned a corner. This album is the best of their career. That’s all you really need to know. The Crowes play with muscle and grace, easing into the rustic ramble or getting dirt underneath their fingernails, sets the keynote for the rest of the record both in its sturdy construction and enthusiastically ragged performance. It’s quite a trip. The camels swaying happily to Rich Robinson’s sitar while almost-but-not-quite-there voices swirl out of the mist of percussion, along with some blues harp. Luther Dickinson lays down some of the most engaging playing of his career throughout the album, offering up everything from the sweet jazzy licks to weaving bluesy mandolin against Rich’s dobro. And his electric lead work is fierce throughout the album. Larry Campbell is definitely an honorary Crowe, adding in album from killer fiddle to pedal steel, that’ll either break your heart or put a crease in your best Sunday-go-to-meeting overalls. And speaking of MacDougall, his keyboard work is all over this thing – from lovely Nicky Hopkins-style keys to a hellacious Hammond B-3 organ squall. Bassist Sven Pipien weaves with Rich Robinson’s rhythm guitar as much as he does with drummer Steve Gorman. And, of course, it was Pipien’s disco bass against Rich’s whacka-whacka wah guitar weird you out. All was forgiven, however, when you finally listened to the full cut make its transition from shiny dance floor to grimy back alley. Nobody else would do anything like it at this point in their career. Rich Robinson drops riffs and hooks all over the place. And brother Chris can still belt it out, but he’s also become a better storyteller with age, and sometimes that’s what a song requires. There’s a thread of sincerity and realness throughout album that could only come with time. Chris’ voice is the embodiment of that. Power isn’t always measured in decibels. Soul carries the most clout of all. In the end, this album delivers much more than expected. This is simply the music of a band that’s comfortable with who they are. No longer young upstarts, The Black Crowes wear their years proudly on this terrific album, sounding like the veteran roadhounds they've always aspired to be.
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