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The Stills-Young Band – LONG MAY YOU RUN- CD- 1976/2001-
- Reprise Records/Warner Bros. Records Inc.- 075992723022- 400 grn
LONG MAY YOU RUN is a studio album credited to the Stills–Young Band, a collaboration between Stephen Stills and Neil Young, released in September 20, 1976 on Reprise Records and was certified Gold in the United States. The album is the sole studio release by Stills and Young as a duo. Musically, it follows mostly in a similar vein to the duo's other joint work with Buffalo Springfield and Crosby, Stills, Nash & Young, traversing various facets of Americana and folk music, while songs such as "Make Love To You" have something of a jazz feel, and the extensive use of synthesised strings on the second side give the songs an art rock sound.
PERSONNEL: Stephen Stills – vocals, acoustic piano, guitars; Neil Young – vocals, acoustic piano, string synthesizer, guitars, harmonica; Jerry Aiello – organ, acoustic piano; George "Chocolate" Perry – bass, backing vocals; Joe Vitale – drums, flute, backing vocals; Joe Lala – percussion, backing vocals.
LONG MAY YOU RUN is not a Neil Young solo album. It is credited to "The Stills-Young Band," which is to say, Stephen Stills and his band with Young added, and the two divide up the songwriting and lead vocals, five for Young, four for Stills. The pairing, though it proved short-lived and had, in fact, ended before this album was released, must have seemed commercially logical. Like Young, Stills had seen his record sales decline after a successful period following the 1970 breakup of CSNY. So had erstwhile partners David Crosby and Graham Nash, but they had returned to Top Ten, gold-selling status in the fall of 1975 with their Wind On The Water duo album. Why couldn't Stills and Young do the same thing? Maybe they could have (and, actually, this was the first gold album for either in two years) if they had made a better record together. Young's songs were pleasant newly written throwaways with the exception of the title track, a trunk song he had written as a tribute to an old car. Stills' compositions seemed more seriously intended, but still were not substantial. The playing, largely handled by the professional sessionman types in Stills' band, was far smoother than what one was accustomed to in a Young album. The result was a listenable record, but not a compelling one, and thus well below Young's usual standard and Stills' best.
Presented In A Standard Jewel Case With Black Tray Includes 8-Page Booklet With Lyrics.
Made In Germany.
ПРИ ПОКУПКЕ (сразу) ТРЁХ ФИРМЕННЫХ АЛЬБОМОВ, ДОСТАВКА БЕСПЛАТНО !!!