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Tom Waits- BAD AS ME- 2CD: Limited Deluxe Edition- 2011- Anti, Inc./Epitaph Europe- 8714092717723- 700 grn
BAD AS ME is the seventeenth and most recent studio album by American singer-songwriter Tom Waits, released on October 21, 2011 by Anti- Records. The album is known to have been recorded as early as February 2011 and was officially announced for release on August 23, 2011 on Waits' official web site and various social media networks. On the same day, the title track, "Bad As Me", was released as the album's first single. Domestic version of the album was released worldwide on October 24, 2011 in deluxe edition two-CD version with 40-page book.
PERSONNEL: Tom Waits – vocals, guitar, piano, percussion, banjo, tablas, pump organ; Will Bernard, Marc Ribot – guitar; Clint Maedgen – saxophone; Casey Waits – drums; David Hidalgo – guitar, violin, percussion, accordion, bass guitar, background vocals; Ben Jaffe – trombone, bass clarinet, tuba; Charlie Musselwhite – harmonica; Patrick Warren – keyboards; Zack Sumner, Les Claypool, Marcus Shelby, Flea, James Whiton – bass; Keith Richards – guitar, vocals; Augie Meyers – vox organ, piano, accordion; Gino Robair – percussion, vibraphone; Larry Taylor – guitar, bass; Chris Grady – trumpet; Dawn Harms – violin.
BAD AS ME is Tom Waits' first collection of new material in seven years. This is a quick, insistent, and woolly aural road trip full of compelling stops and starts. While he's kept his sonic experimentation -- especially with percussion tracks -- Waits has returned to blues, rockabilly, rhythm & blues, and jazz as source material. Instead of sprawl and squall, we get chug and choogle. For "Chicago" - via Clint Maedgen's saxes, Keith Richards' and Marc Ribot's guitars, son Casey Waits' drums, dad's banjo, percussion and piano, and Charlie Musselwhite's harmonica - we get a 21st century take on vintage R&B. Augie Meyers appears on Vox organ and Flea on bass to guide Waits' tablas and vocals on "Raised Right Men," a 12-bar stagger filled with delightful lyrical clichés from an America that has passed on into myth -- Waits does nothing to de-mystify this; he just makes it greasy and danceable. The slow, spooky "Talking At The Same Time" is still in blues form albeit with ska-styled horns to make things more exotic, as Waits waxes about the current state of economic affairs. He showcases history's circular nature as he bridges national narrative from 1929-1941, and up to the present day. Rockabilly rears its head on "Get Lost," with David Hidalgo strutting a solid '50s guitar snarl above the horns. Dawn Harms' violin and Patrick Warren's keyboards add textural dimension to Hidalgo's and Ribot's arid guitars on the apocalyptic blues of "Face To The Highway," with Waits offering startling, contrasting images in gorgeous rhymes. This track, and the two proceeding ones -- the forlorn carny ballad "Pay Me" and the wasted lover's plea in the West Texas mariachi of "Back In The Crowd" -- set up the latter half of the record, where there are more hard-edged blues and rockers, such as the spiky stomping title track, the cracked guitar ramble in "Satisfied," and the clattering, percussive anti-war rant "Hell Broke Luce". In the jazzy nightclub blues of "Kiss Me" and the country-ish folk of "Last Leaf" lie lineage traces to Waits' earliest material: the latter features Richards in a delightfully ruined vocal duet. Brennan's instincts were dead-on: it was time for a set of brief, tightly written and arranged songs - something we haven't actually heard from Waits. BAD AS ME is an aural portrait of all the places he's traveled as a recording artist, which is, in and of itself, illuminating and thoroughly enjoyable.
The Limited Edition Deluxe Package Includes A 40 Page Book And 16 Songs On 2 CDs.
Made In The Netherlands.
ПРИ ПОКУПКЕ (сразу) ТРЁХ ФИРМЕННЫХ АЛЬБОМОВ, ДОСТАВКА БЕСПЛАТНО !!!