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The Beatles- REVOLVER- CD- 1966/1995-
- Parlophone Records/Apple Corps. Ltd./EMI Records Ltd.- 077774644129- 400 grn
REVOLVER is the seventh studio album by the English rock band The Beatles. It was released on 5th August 1966. The album was The Beatles' final recording project before their retirement as live performers and marked the group's most overt use of studio technology to date, building on the advances of their release Rubber Soul. It has since become regarded as one of the greatest and most innovative albums in the history of popular music, with recognition centred on its range of musical styles, diverse sounds and lyrical content. REVOLVER expanded the boundaries of pop music, revolutionised standard practices in studio recording, advanced principles espoused by the 1960s counterculture, and inspired the development of psychedelic rock, electronica, progressive rock and world music. The album cover, designed by Klaus Voormann, combined line drawing with photo collage and won the 1967 Grammy Award for Best Album Cover, Graphic Arts. Aided by the 1987 international CD release, which standardised its content to the original Parlophone version, REVOLVER has surpassed Sgt. Pepper's Lonely Hearts Club Band in many critics' estimation as The Beatles' Best Album.
PERSONNEL: John Lennon – lead vocals, harmony and backing vocals, rhythm and acoustic guitars, Hammond organ, Mellotron, harmonium, tambourine; Paul McCartney – lead vocals, harmony and backing vocals, bass, rhythm and lead guitars, piano, clavichord; George Harrison – lead vocals, harmony and backing vocals, lead guitar, acoustic guitar, rhythm and bass guitars, sitar, tambura, maracas, tambourine; Ringo Starr – drums, tambourine, maracas, cowbell, shaker, lead and backing vocals; Anil Bhagwat – tabla; Alan Civil – French horn; George Martin – piano, Hammond organ; Mal Evans – bass drum, background vocals; Pattie Boyd, Marianne Faithfull, Alf Bicknell, Neil Aspinall – background vocals; Brian Jones – ocarina, background vocals; Tony Gilbert, Sidney Sax, John Sharpe, Jurgen Hess – violins; Stephen Shingles, John Underwood – violas; Derek Simpson, Norman Jones – cellos; Eddie Thornton, Ian Hamer, Les Condon – trumpet; Peter Coe, Alan Branscombe – tenor saxophone.
All the rules fell by the wayside with REVOLVER, as The Beatles began exploring new sonic territory, lyrical subjects, and styles of composition. Harrison staked out his own dark territory with the tightly wound, cynical rocker "Taxman". The jaunty yet dissonant "I Want To Tell You" and "Love You To", George's first and best foray into Indian music. Such explorations were bold, yet they were eclipsed by Lennon's trippy kaleidoscopes of sound. His most straightforward number was "Doctor Robert", an ode to his dealer, and things just got stranger from there as he buried "And Your Bird Can Sing" in a maze of multi-tracked guitars, gave Ringo a charmingly hallucinogenic slice of childhood whimsy in "Yellow Submarine", and then capped it off with a triptych of bad trips: the spiraling "She Said She Said", the crawling, druggy "I'm Only Sleeping" and "Tomorrow Never Knows", a pure nightmare where John sang portions of the Tibetan Book Of The Dead into a suspended microphone over Ringo's thundering, menacing drumbeats and layers of overdubbed, phased guitars and tape loops. McCartney's experiments were formal and when placed alongside Lennon's and Harrison's outright experimentations, McCartney's songcraft becomes all the more impressive. The biggest miracle of REVOLVER may be that The Beatles covered so much new stylistic ground and executed it perfectly on one record, or it may be that all of it holds together perfectly.
Comes In A Regular Jewel Case With Black Tray Includes 8-Page Booklet.
Made In Holland.
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