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The Rolling Stones- SUCKING IN THE SEVENTIES- CD- 1981/2005-
- EMI Music Netherlands B.V./Promotone B.V.- 724387333925- 400 grn
SUCKING IN THE SEVENTIES is the sixth official compilation album by The Rolling Stones, released on 14th April 1981. Serving as the successor to 1975's Made In The Shade, it covers material from the recording sessions of It's Only Rock 'N' Roll, Black And Blue, Some Girls and Emotional Rescue. Deviating from the standard practice of "greatest hits" albums, it features a mix of hit songs, remixes, alternate takes of album tracks, B-sides, and live recordings. In 2005, the album was remastered and reissued by Virgin Records. There's a certain smarmy charm in The Rolling Stones titling a compilation of their work from the second half of the '70s SUCKING IN THE SEVENTIES - it seems a tacit admission that neither the decade nor the music they made in that decade was all that good, something that many critics and fans dismayed by the group's infatuation with glitzy disco and tabloid grime would no doubt argue. It is indeed true. That incarnation of The Rolling Stones was a distant memory at the end of the '70s, when the group was freely dabbling with disco, reggae, and never-ending elastic grooves, and pumping up their sound with punchy horns and slick backing vocalists. Sometimes this resulted in great music, as in the terrific 1978 masterwork Some Girls, which took on disco, punk, and new wave in equal measure, while retaining the signature Stones feel. Sometimes, the group would stumble, as they did on the uneven but intermittently entertaining 1976 Black And Blue and 1980's Emotional Rescue. Those three albums are more or less covered on SUCKING IN THE SEVENTIES, an unwieldy collection of hits, outtakes, live cuts, and album tracks that plays fast and loose with the time line, while not including anything but outtakes from Emotional Rescue, and managing to overlook their biggest hit of the second half of the '70s -- 1978's "Miss You," the biggest and best disco track they ever did. This doesn't come close to compiling all their best songs from the second half of the '70s - for instance, the monumental "Hand Of Fate," easily the greatest song on Black And Blue, isn't here - but the amazing thing is that SUCKING IN THE SEVENTIES captures the garish decadence and ennui of the band better than the proper albums from this period. Not that this is a better record than Some Girls, which had the same sense of trash but also a true sense of hunger and menace underpinning the restless music, but it is better than either Black And Blue or Emotional Rescue, since it gleefully emphasizes their tawdry disco moves while illustrating that the band could either be deliciously tacky in concert or as muscular and mean as they were at their peak. On the surface, the studio outtakes of "Everything Is Turning To Gold" and "If I Was A Dancer" aren't all that remarkable, but they're good, stylish grooves, and when placed in the context of other disco-rock, slick ballads, and overblown blooze, they help make SUCKING IN THE SEVENTIES into a kind of definitive document. If you want to know what The Stones sounded like at the end of the '70s, why they earned scorn from longtime fans while continuing to rule the charts, this is the record you need. It may not give casual fans all the hits they want, and for some hardcore fans, this will remind them of why they stopped listening to The Stones, but for a few others, this is a wonderful celebration of all the group's '70s sleaze, an that was designed to be a shoddy cash-in compilation, but wound up revealing more than the group ever realized.
Comes In A Standard Jewel Case With Clear Tray Includes Foldout Insert. Album Title Is On A Sticker Added To Front Of Jewel Case.
On CD: Made In The E.U.; On Back Cover: Printed In The E.U.
ПРИ ПОКУПКЕ (сразу) ТРЁХ ФИРМЕННЫХ АЛЬБОМОВ, ДОСТАВКА БЕСПЛАТНО !!!