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The Rolling Stones- AFTERMATH- SACD- 1966/2002- ABKCO Records- 042288229520- 700 grn
UK Version.
The Restoration Of Original Recordings Used Direct Stream Digital (DSD) Remastering.
AFTERMATH is a studio album by the English rock band The Rolling Stones. The group recorded the album at RCA Studios in California in December 1965 and March 1966, during breaks between their international tours. It was released in the United Kingdom on 15 April 1966 by Decca Records and in the United States in late June or early July 1966 by London Records. It is the band's fourth British and sixth American studio album, and closely follows a series of international hit singles that helped bring The Stones newfound wealth and fame rivalling that of their contemporaries The Beatles. AFTERMATH is considered by music scholars to be an artistic breakthrough for The Rolling Stones. Brian Jones reemerged as a key contributor and experimented with instruments not usually associated with popular music, including the sitar, Appalachian dulcimer, Japanese koto and marimbas, as well as playing guitar and harmonica. In August 2002 both editions (US & UK) of AFTERMATH were reissued in a new remastered CD and SACD digipak by ABKCO Records, with the UK version containing an otherwise unavailable stereo mix of "Mother's Little Helper". The album was included in Robert Dimery's 1001 Albums You Must Hear Before You Die. This product is a hybrid Super Audio CD (SACD) and has been encoded with two layers: one is a normal CD program and the other is an SACD of the same repertoire. The product is playable on both SACD-compatible machines as well as standard CD players.
PESONNEL: Mick Jagger – lead and backing vocals, percussion, harmonica; Keith Richards – harmony and backing vocals, electric and acoustic guitars, fuzz bass; Brian Jones – electric and acoustic guitars, sitar, dulcimer, harmonica, marimba, koto; Bill Wyman – bass guitar, fuzz bass, organ, bells; Charlie Watts – drums, percussion, bells; Jack Nitzsche – piano, organ, harpsichord, percussion; Ian Stewart – piano, organ.
The Rolling Stones finally delivered a set of all-original material with this LP, which also did much to define the group as the bad boys of Rock & Roll with their sneering attitude toward the world in general and the female sex in particular. The borderline misogyny could get a bit juvenile in tunes like "Stupid Girl." But on the other hand the group began incorporating the influences of psychedelia and Bob Dylan into their material with classics like "Paint It Black," an eerily insistent number one hit graced by some of the best use of sitar on a rock record. Other classics included the jazzy "Under My Thumb," where Jones added exotic accents with his vibes, and the delicate Elizabethan ballad "Lady Jane," where dulcimer can be heard. "Goin' Home," an 11-minute blues jam, was remarkable more for its barrier-crashing length than its content. Look out for an obscure gem, however, in the brooding, meditative "I Am Waiting." The UK release featured a run-time of more than 52 minutes, the longest for a popular music LP up to that point. The American edition was issued with a shorter track listing, substituting the single "Paint It Black" in place of four of the British version's songs, in keeping with the industry preference for shorter LPs in the US market at the time. AFTERMATH subversive music solidified the band's rebellious rock image while pioneering the darker psychological and social content that glam rock and British punk rock would explore in the 1970s. AFTERMATH has since been considered the most important of the Stones' early, formative music and their first classic album, frequently ranking on professional lists of the greatest albums.
Issued In A Tri Fold Digipak With Transparent Digipak-Disc-Mounts On The Inside Cover.
On CD: Made In EU; On Back Cover: Printed In EU.
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