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Описание

Derek And The Dominos- THE LAYLA SESSIONS: 20th Anniversary Edition- 3CD Box Set-
- 31.08.1990 (US)/18.09.1990 (UK)/12.07.2005- Polydor Records/PolyGram International, Ltd.- 042284708326- 2800 grn
THE LAYLA SESSIONS: 20th Anniversary Edition (or THE LAYLA SESSIONS) released September 1990 is an Anniversary remix of the 1970 Layla And Other Assorted Love Songs album by Derek And The Dominos. The album contains the original album, remixed to improve audio quality, and, in the 3-CD edition, two extra discs of unused alternate and incomplete masters of the original songs and studio jamming. The box set was designed by Mitchell Kanner.
COMPILATION INCLUDES:
CD1- LAYLA AND OTHER ASSORTED LOVE SONGS: Remixed Version (042284709026);
CD2- THE JAMS (042284709125);
CD3- ALTERNATE MASTERS, JAMS AND OUTTAKES (042284709224).
This three-CD box did a lot of good for rock reissues, though not necessarily for the Layla & Other Assorted Love Songs album. It was the first high-profile reissue to treat rock with the same respect that scholars had long accorded jazz, going beyond the finished tracks to the outtakes and anything else usable that turned up in the vaults. Layla & Other Assorted Love Songs had been a vexation since the dawn of the CD era, its first issue marred by harsh textures and lots of noise, a result of the multiple overdubs on the original album. Then Polygram issued the Eric Clapton box Crossroads in 1988, which included a new remastering of "Layla" and the handful of other songs from the album; in the course of preparing that set, the producers stumbled upon the long-missing multi-tracks from the Layla album sessions. Thus, they had access to all of the outtakes, as well as the raw material needed to remix the whole album. That was what they did on this box, rebuilding each song from its original multi-track session recordings on disc one, assembling various unused alternate masters of six of the songs on disc two, and filling up disc three with 76 minutes of studio jamming by the band, divided into four extended tracks. And the result of all of that work was more harsh criticism from the public and reviewers, who felt that the remixed album lacked the Phil Spector-ish Wall of Sound element that had made the original LP a larger-than-life experience. Still, the concept behind the box was sound, and it is possible for the real fan to appreciate the nuances of the playing on the original tracks as never before, and fascinating to hear, say, the newly exposed solo guitar part on "Anyday" or the layers of instruments throughout. The annotation [featuring detailed recollections by the late Tom Dowd, who engineered the album] told of precisely how intense, creative, and quick those recordings were. The producers even included copies of the tracking sheets for the individual songs, the notes by the engineer detailing which recorded tracks to use, and how and where solos, vocals, guitar harmony, fades, and other elements of the song related to each other when assembling the finished songs. The jams are primarily for the hardcore fan, though they're not bad - they're of a piece with (but much more interesting than) the "Apple Jam" tracks off of George Harrison's All Things Must Pass (which, coincidentally, comprised the sessions whence the Dominos were spawned). Clapton and Duane Allman take their playing in consistently interesting directions, with Bobby Whitlock's keyboards not far behind and Carl Radle and Jim Gordon providing a rocksteady rhythm section.
Presented In A Hardback Box Set (320 mm x 320 mm x 25 mm) Of Three Standard Jewel Cases CDs With Hype Sticker On Front Cover Of Box Includes 16-Page (280 mm x 280 mm) Booklet And An Envelope Containing 12 Reel Log Reproductions.
On CDs: Made In U.S.A.; On Back Cover Of Box: Printed In U.S.A.
ПРИ ПОКУПКЕ (сразу) ТРЁХ ФИРМЕННЫХ АЛЬБОМОВ, ДОСТАВКА БЕСПЛАТНO !!!