Продам фирменный CD

400 грн.
  • доставка из г. Киев
  • 30 октября 2020, номер: 95745
Музыкальный жанр: Блюз 

Описание

Sonny Boy Williamson & The Yardbirds- SONNY BOY WILLIAMSON & THE YARDBIRDS- CD-
- 29.12.1965(US)/07.01.1966(UK)/16.11.2007- Repertoire Records- 4009910477625- 400 grn
Sonny Boy Williamson used many names, working as ‘Little Boy Blue’, Willie Williamson, Willie Williams and Willie Miller (after his brother) and known to his friends as ‘Foots’ because of his habit of razoring his shoes, no matter how new they might be, to make them comfortable. He was cashing in on the popularity of John Lee Williamson (safely out of the way in Chicago) when he secured a job broadcasting over KFFA radio out of Helena on the King Biscuit Show in 1941. The show was heard all over the south and made Williamson famous. He continued to travel but now sought radio stations to advertise his activities. In the early 50s he recorded for Lillian McMurray’s Trumpet label in Jackson, Mississippi, along with friends Willie Love and Elmore James. His work on this label includes many outstanding performances, with ‘Mighty Long Time’ being perhaps the greatest of all. On the strength of his increased popularity he extended his area of work and began to appear in the bars of Detroit, where he worked with Baby Boy Warren, and in Chicago (John Lee Williamson was dead by this time). He began his career with Chess Records of Chicago in 1955 with his hit ‘Don’t Start Me Talkin’’ and became a mainstay of the label almost until his death. In 1963, he took Europe by storm as a result of his appearances with the AFBF. His impressive appearance - tall and stooped in his famous grey/blue suit (quartered like a jester’s doublet) and sporting a bowler hat and umbrella, along with his hooded eyes and goatee beard - hypnotized audiences as he wove back and forth, snapping his fingers and clicking his tongue in a display of perfect rhythmic control. His skill on the harmonica was augmented by many tricks of showmanship such as playing two instruments at once (one with his large and plastic nose) or holding the harp end in his mouth and manoeuvring it with his tongue. If Europe took to him, Williamson seems to have enjoyed Europe: he stayed after the tour had ended and played his way around the burgeoning blues clubs, travelling as far as Poland. He recorded for the Storyville label in Denmark and with Chris Barber in Britain, then returned to mainland Europe, often stating his intention to take up permanent residence.
An exploitative album, released in 1966 (UK) shortly after the Yardbirds had their first American hits. This is a live show from late 1963, on which Chicago blues great Sonny Boy Williamson is backed by an extremely green Yardbirds. Yes, Eric Clapton is on here; no, he doesn't play well, managing some thin, extremely tentative solos that find him stumbling occasionally. It's really not that bad, though, as Sonny Boy himself sings well. But it should really be treated as a Sonny Boy Williamson release that happens to have a soon-to-be-famous-but-still-embryonic band in the background, in the manner of the sides the Beatles cut in Hamburg supporting Tony Sheridan. All of the material, and even some unreleased/alternate takes from the same dates, has since shown up on anthologies that are much easier to find than this instant collector's item.
Recorded Live At The Craw-Daddy Club, Richmond-Upon-Thames, Surrey, London On 8th & 9th December 1963.
7 Bonus Tracks.
Housed In A Gatefold Digipak With Clear Tray Includes 12-Page Booklet.
Made In Germany.
ПРИ ПОКУПКЕ (сразу) ТРЁХ ФИРМЕННЫХ АЛЬБОМОВ, ДОСТАВКА БЕСПЛАТНО !!!
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